The Raven Tower

The Raven Tower

Book - 2019
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Having helped win a war at great cost in human lives and to its own power, the god known as the Raven of Iraden was forced to continue to fulfill its commitment to its followers and slowly regain its strength through the steady flow of prayers and sacrifices which are the source of all the gods' powers. Centuries into that toil, a usurper to the throne of Iraden has discovered the Raven's weakened state and sets in motion a plot to gain the favor of younger, stronger gods in a bid to consolidate his power. But the Raven of Iraden is more resilient than its enemies have accounted for, and with the help of some unlikely allies it may still return to glory.
Publisher: New York, NY : Orbit, an imprint of Hachette Book Group, 2019.
Edition: First edition.
ISBN: 9780316388696
Branch Call Number: F LECKIE
Characteristics: 416 pages : illustration ; 25 cm


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JessicaGma Jul 29, 2019

This won't appeal to everyone, as it's a slow burn of a novel where the point of view swaps between an "I" narrator and a you, which is the warrior Eolo, but if you stick with it, it's a nice taught tale of betrayal, mystery and gods. It was a very cool story.

Nicr Jul 08, 2019

"Here is a story that I have heard": Mawat, heir to the bench of Raven's Lease at Vastai (executor of the Raven of Iraden's rule), returns to Vastai to find his father missing and his uncle Hibal on the bench claiming Mawat's father has fled the fortress. A touch of Hamlet; a touch of Achilles, as Mawat sulks in his room while the fortress holds its collective breath. Especially interesting is the layered, second-person narrative--the speaker a god, the observer an aide to Mawat (addressed as "you" by the god).

May 25, 2019

A slow build with a great eye to world building detail. An interesting choice of narrator, a transgender character, and a hint of Hamlet. An enjoyable read.

forbesrachel May 22, 2019

In the city of Vastai lives the Raven god, and from his tower perch does he expand his influence through his own agreements with the people, and through that of his Lease, the human whose sacrifice empowers him. But now, the Lease has vanished, and an usurper sits where his rightful heir is supposed to be. This is what Mawat, and his aide, Eolo, discover upon reaching the city. But this is not their story, not exactly, it is the story of the god narrating to us.
Leckie uses a very uncommon narration style; the narrator is present, right their observing everything, but like a ghost. The god "speaks" to Eolo, referring to him as "you", while they are "I". It is a style that places us in the shoes of the narrator, almost as if we are getting front row seats. Because of this, the thoughts of the characters can only be inferred through this observation, as well as the knowledge that the god possesses of their past, and the general history.
Language has importance in this story. It is a way which we rely on to find out the truth, or tell lies, it is the way we share stories, and in this case, it is also how the gods communicate with the people, and form their powers. Leckie's writing itself, is carefully crafted, and successfully upholds this, especially in moments where the gods have to speak with consideration for what impact they might make. Keen readers will enjoy thinking about the meta side of all this.
Unlike traditional Fantasy, there is very little movement in this story, both in the sense of distance travelled, and what occurs in the present. Rather, the author draws on elements of the Historical and even Mystery genres, focusing on the long term repercussions, and the how and why that lead to this conclusion. Eolo acts as a pseudo detective, while Mawat, the more traditional heroic figure, sits on the sidelines for the most part. There is very little "action", and yet, it is just as engaging. The intrigue of the political machinations among the humans, and not to mention the gods whether between themselves or that of their followers, is absolutely fascinating. There is also the lingering question of the narrator's involvement. Hints are sprinkled throughout, but we only learn about it very slowly. Between the hooks of what happened to the Lease, how the god is involved, and why Eolo gets special attention from one usually indifferent, you can't help but read straight through.
The lack of action, and deliberate pace, also serves to support the central theme of patience. Victory can be achieved in ways other than heroics; an idea Fantasy rarely touches upon. This makes the book completely refreshing. Patience delivers a large payout for protagonists and readers alike in this incredibly impressive Fantasy first for Ann Leckie.

LeRat Mar 17, 2019

Ann Leckie provides a different perspective for this fantasy with her choice of a very unusual narrator. And insightful and intriguing read.

Mar 15, 2019

The Raven Tower has a well-paced story and interesting use of first- and second- person perspective. The worldbuilding with the history of the gods, and the extent of their powers, is fascinating. That said, the human characters fell a little flat. Overall though, a good read.


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